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2019
2019
Penthouse for Hosting — Private commission
“Hot Water is Cool” — FAR NEAR Volume 6: Heat
Traditional Chinese Medicine Apothecary Exhibition — WSA
AIR Strategy and Branding, Aspen Art Museum — 2x4
“Resurfacing Hong Kong’s Star Ferry” Peer Review, — Verge 11.2
The World Around Strategy — 2x4
Powder Mountain Strategy and Branding — 2x4
Communicating Climate Talk — Harvard GSD
“Feejee Mermaid x Stefanie Hesseler” — Pairs 04
Matriarchal Blueprints — CCA Conference
“Terraqueous Intimacies: To Sink, Sip, and Swim” — DISC Issue 2.0
“MAAT: Oceanic Thought” — Rumor Review
Oceanic Protocols: Navigating Leaks and Trouble Waters — Harvard GSD
Algae Composite Panels — Harvard SEA
The Transmogrify of a Towel — Princeton University
The Sun Rises & Sets in Revere Beach Exhibition — Harvard GSD
“The Natures of Sanatoria” — KPF Traveling Fellowship
No Cure? Caring for Burnout in a Neoliberal Age — Cornell University
Pierre Paulin Program Exhibition — OMA
❶ Bibliography
2024
“CT: We've ended on an interesting slippage between object and subject that mermaids and oceanic work afford. In wet environments, this binary is simultaneously magnified but also dismantled completely. Humans at sea need incredible machinery and equipment, almost to the point where we become objects and no longer subjects, magnifying the politics of who even gets counted as a being at sea.
SH: I love that messiness because I think that that's really where we're at. Everything is messy, and acknowledging that and then saying, “Where do we go from this point of messiness?” is what can lead to productive conversations and approaches. And acknowledging that being in this messiness, and still being able to act from within it, is also a position of privilege.”
Interview by CoCo Tin
Edited by Isabel Lewis, Adrea Piazza, and Andrea Sandell
Designed by Siyu Mao
Printed by Grafiche Veneziane
Pairs 04
Harvard Graduate School of Design